In 1990-91 cracks appeared in Europe's last Stalinist state, Albania. The first independent-travelling Western visitors were allowed in and for the first time ordinary Albanians were approaching them without the fear of the omnipresent secret police, the Sigurimi. Monica Whitlock, then of the BBC, witnessed it first hand and remembers her journey:
These snapshots show one day in the port of Saranda in Vlore County, southern Albania. It was the summer of 1991. I caught the ferry from Greece, so close that you can see from shore to shore. As the boat approached, crowds of boys leapt off the docks and swam out, shouting to the passengers to throw them pens or coins. The excited town threw a lunch in welcome; grandees gave speeches. We took the bus to the classical ruins at Butrin, delivering bread along the way.
The photos unwittingly catch a moment of change in Albania. Enver Hoxha was dead - you can see his faded photograph above the ochre building. The man he designated his successor, Ramiz Alia, was - briefly - in power. Alia was a militant Marxist-Leninist, leading a country where none of that made sense any more. Signs of economic crisis were everywhere, from the lack of electricity to the worn clothes of the boys who kept us company all day.
© Monica Whitlock
Natalya Grebenyuk is a Moscow-based photographer. She is a fan of motor-rallies and daunting car journeys. Natalya crossed the Balkans from East to West at the height of the winter 2010: from Kosovo via Montenegro to Albania and Bosnia.
© Natalya Grebenyuk
Prizren. Second largest city of Kosovo. The only trilingual city in the Balkans, with Albanian, Turkish and Serbian/Bosnian spoken. Capital of the medieval Serbian Empire in the 14th Century. Preserved its Ottoman character better than any other city in the Balkans. Natalya Grebenyuk is a Moscow-based photographer. She is a fan of motor-rallies and daunting car journeys. Natalya crossed the Balkans from East to West at the height of the winter 2010: from Kosovo via Montenegro to Albania and Bosnia.
© Natalya Grebenyuk
© Velislav Radev