Kingdom_Yugoslavia_1929

 

A very rare item from our collection. Converted from a silent 16 mm film, with titles. 

British production with some of the earliest moving pictures from the Kingdom of Yugoslavia, newly renamed by King Alexander I in 1929.

Apart from the Adriatic coast, Bosnia and Montenegro, this film includes some unique images from Serbia - a Serbian Slava, Kalemegdan, the brand new Royal Palace.

A title for Belgrade reads: 'Rebuilt after complete destruction in the Great War, seems to reflect the history of Yugoslavia, one of invasion-defeat-victory and regeneration.'

Published in Balkans

Yugoslavia 1926

In the mid-1920s the prominent German photographer Kurt Hielscher was invited by the government in Belgrade to travel to Yugoslavia and create a book with images of the state, founded only a few years earlier. Kurt Hielscher had already published similar and very successful books about Italy, Spain and Germany, so he took up the invitation with enthusiasm.

In Belgrade he got an interpreter, letters of introduction to all local authorities and cars were at his disposal. Hielscher gratefully acknowledges all help in this endeavour.  He also thanks the Zeiss-Ikon and Agfa factories for their outstanding cameras, lenses and photo plates.

The journey - from the Alps to Novo Mesto towards Bulgaria - produced 1200 photographs, from which he chose 191. In Hielscher's words, those were the few "which would try to show the attractive, diverse character of the landscape, the architecture, and way of life of the Yugoslavs... I didn't want to create a collection of postcards".

The result is a stunning and often moving collection, published in a book in 1926 in Berlin by Ernst Wassmuth AG.

On Agfa Chromo Isorapid plates.

Published in Photo Gallery Balkans

 

In the 1960s and 1970s the Yugoslav authorities offered attractive conditions to Western cruise companies. Unlike in other Communist countries in the area, foreign tourists to Yugoslavia were less conspicuously followed by the security services.

They were allowed to move around freely and capture the beauty of the scenery, but also the everyday lives of people. Like here - from Venetian and Genoese Korčula (Curzola) to Dubrovnik along the Dalmatian coast, today's Croatia.

Footage converted from 16 and 8 mm Kodachrome film.

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Published in Balkans